{"id":475,"date":"2009-07-17T10:42:18","date_gmt":"2009-07-17T09:42:18","guid":{"rendered":"http:\/\/www.imatrabilbao.com\/blog\/?p=475"},"modified":"2009-07-17T11:07:44","modified_gmt":"2009-07-17T10:07:44","slug":"pictures-again","status":"publish","type":"post","link":"https:\/\/imatrabilbao.com\/blog\/prensa\/pictures-again\/","title":{"rendered":"Pictures (again)"},"content":{"rendered":"<p>&#8230;. Las performances solitarias de Sherman ampl\u00edan su misterio en las maquinaciones foto-pict\u00f3ricas de Amondarain que intenta, obsesivamente, clonar incluso el cat\u00e1logo \u00aboriginal\u00bb donde se publicaron aquellas visiones de una mujer que podr\u00eda haber formado parte de una pel\u00edcula. Seguimos embarcados, a pesar de todo, en la zona ambigua del sujeto posmoderno, tal y como la definiera Norman Bryson: un tejido de citas, una imbricaci\u00f3n compleja de imagen e identidad. Pero, a lo mejor, todo ha sido una cita perdida.\u00a0<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-485  aligncenter\" title=\"amondarain1\" src=\"http:\/\/www.imatrabilbao.com\/blog\/wp-content\/uploads\/2009\/07\/amondarain1.jpg\" alt=\"amondarain1\" width=\"400\" height=\"316\" srcset=\"https:\/\/imatrabilbao.com\/blog\/wp-content\/uploads\/2009\/07\/amondarain1.jpg 400w, https:\/\/imatrabilbao.com\/blog\/wp-content\/uploads\/2009\/07\/amondarain1-300x237.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p><strong>Fernando Castro Fl\u00f3rez<\/strong>. 2009. Fragmento del texto para el cat\u00e1logo THE COMPLETE \u00a0UNTITLED FILM\u00a0 STILLS\u00a0 de <strong>Jos\u00e9 Ram\u00f3n Amondarain<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;. Las performances solitarias de Sherman ampl\u00edan su misterio en las maquinaciones foto-pict\u00f3ricas de Amondarain que intenta, obsesivamente, clonar incluso el cat\u00e1logo \u00aboriginal\u00bb donde se publicaron aquellas visiones de una mujer que podr\u00eda haber formado parte de una pel\u00edcula. Seguimos embarcados, a pesar de todo, en la zona ambigua del sujeto posmoderno, tal y como [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/imatrabilbao.com\/blog\/wp-json\/wp\/v2\/posts\/475"}],"collection":[{"href":"https:\/\/imatrabilbao.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imatrabilbao.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imatrabilbao.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/imatrabilbao.com\/blog\/wp-json\/wp\/v2\/comments?post=475"}],"version-history":[{"count":10,"href":"https:\/\/imatrabilbao.com\/blog\/wp-json\/wp\/v2\/posts\/475\/revisions"}],"predecessor-version":[{"id":487,"href":"https:\/\/imatrabilbao.com\/blog\/wp-json\/wp\/v2\/posts\/475\/revisions\/487"}],"wp:attachment":[{"href":"https:\/\/imatrabilbao.com\/blog\/wp-json\/wp\/v2\/media?parent=475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imatrabilbao.com\/blog\/wp-json\/wp\/v2\/categories?post=475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imatrabilbao.com\/blog\/wp-json\/wp\/v2\/tags?post=475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}